We have divine pleasure in presenting to the public documents on
the Kumbha-Mela, the greatest religious meeting of Hinduism which takes
place every twelve years in each of the four following towns : Hardwar
(200km north of Delhi, at the place where the Ganges comes out of Himalaya),
Allahabad (also called 'Prayag', the 'confluence' of the Yamuna, the Ganges
and the Saraswati -a mythical river- wich is called 'Triveni Sangam'),
Ujjain (on the Chipra river, in Madhya Pradesh) and Nasik (on the Godavari
in Maharashtra)
The two main places are Allahabad and Hardwar : in the latter at
present (April 1998), the last Kumbha-Mela of the millenium is taking place,
a fact which inspired us to build this website. Ten millions people are
expected for the period of the main bath in the midst of April.
It is difficult to identify the historical beginning of the Kumbha-Mela.
There are certainly traces of it in Allahabad during the sixth century,
and it is described in its full form during the twelve and thirteen century
in Hardwar.
Documents on Kumbha-Mela are scarce and hard to find. We are all
the more happy to present here the 80 first pages of Subhash Rai who introduces
the subject of the history and religion of the Mela in a detailed way.
The book is published from Banaras, the center of traditional Hindu learning.
It speaks about the history of this religious gathering, the sadhus who
participate in it and the symbolic and Yogic significance of the principal
elements of the Mela. The development of the two main bathing days of the
Kumbha-Mela at precise spots along the Ganges links strongly this event
to the cult of this holy stream, 'Mother Ganga', a form of the Goddes,
since the word 'Ganga' is feminine in sanskrit and in the tongues derived
from it.
The publisher and the author of this book permitted us to put it
into the Internet only for a limited time, approximately four months, so
we will have to remove it after this period.
The second text on this website corresponds to the biggest part of
The Hindu Sannyas by Swami Abhishiktananda. He was basically a Christian
monk, but turned to be a Vedantin in the end of his life. This text written
not long before his death is a kind of spiritual will. It stresses the
need for the life of renunciation and free consecration to the spiritual
Goal in our increasingly materialistic world, and beautifully depicts the
spirit of the Hindu sannyas with the help of the Upanishads of renunciation
(a series of minor Upanishads giving both the mystical inspiration and
the usual rules of the sannyasis). The text was written at Swami Chidananda's
suggestion, the actual president of the Divine Life Society in Rishikesh
and published in their bulletin in 1973. It was then associated to a text
of introduction to the spirituality of Upanishads entitled The Further
Shore and published by ISPCK, Delhi. There is now a reprint of this valuable
work, but its distribution is not good, be it in India or in the West.
As in the case of Subas Rai's book, this text is not commercial for a large
distribution, this is why indeed we are glad to make them known through
the Internet to those inspired all over the world by the ideal of religious
life and the form it has taken in the Indian culture.
This website could be built thanks to the initiative of Swami Sharad
Puri, the director of Swami Hariharanand Public School in Kankhal (next
to Hardwar), which has 1400 children taught through the English medium
in a way respectful of the Hindu tradition.
It has been organized by Dr Jacques Vigne, a French psychiatrist
turned indologist , sadhaka (spiritual aspirant) and writer on spiritual
psychology East and West. After three years of studies at the Banaras Hindu
University, he settled in Kankhal where he has been living for the last
seven years. This website would not have been possible without the technical
assistance from Nathalie Masia, an Internet specialist from the Universities
of Montpellier & Corti (France), who came to Hardwar to develop the
website projects at the Swami Hariharanand Public School. We must of course
thank the Ganga-Kaveri Publications of Banaras and the ISPCK of Delhi for
their kind permission to publish on the Internet their texts, which may
be downloaded and printed as well for private use.
THE BOOK KUMBHA MELA:
Kumbha Mela is about a unique spectacle of religious fervour - the
Hindu bathing festival of a Kumbha, a religious gathering that as no equal
in the worl in terms of the sheer participation of people. What brings
this huge chunk of humanitiy to the banks of holy rivers at specified times
and places ? This is a mistery wich has multiple points of ingress. The
book sets out to trace the myriad linked between the religious, historical,
scientific and social aspects definiting this festival.
Sets the analytical stage for the correct understanding of the mystic
surroundingthe Kumbha Mela fair. On the one side exploresin detail the
origin, antiquity and theoretical underpannings of the twins facetsof Kumbha;
and juxta-poses " Kumbha on a human scale " the human body itself-
with the theory and praxis of Kumbha and brings out striking parallels
between the two. And on the other side, looks at the kumbha festivalfrom
an entirely new angle. Brings out in vivid detail how the timing, sites
and rituals of this fair are governed by considerations of the spatio-temporal
bio-effects of cosmic cycle.
This outstanding book will be of great use for laymen as well as
teachers, scholars and students of ancient Indian history and culture,
religion, philosophy, astronomy, physics and cosmobiology.
THE AUTHOR Subas RAI:
Subas RAI began his scientific career in the discipline of Palaeo-environmental
archeology at the Banaras Hindu University. In time,his deep curiosity
and penetrating insight led him to explore subjects covering ancient as
well as modern science and technology. His academic interests range far
and wide, and he has published dozens of research papers in reputed journals,
both national and international.
THE BOOK THE
FURTHER SHORE:
The further Shore is composed by two essays, SANNYAS and THE UPANISHADS-AN
INTRODUCTION. We only present SANNYAS
or The Call to the Desert. in this penetraring essaythe author expouds
the significance of the Indian tradition of renunciation, and thereby causes
a compelling echo to resound in a heart of comtempory man. He presents
not only the spirit of Hindu monasticism, but tells that true renunciation
wich is beyond religions, and leads to silence. His texts are based on
Upanishads and Vedanta, open doors for the mysticism of the church of India.
THE AUTHOR Abhishiktananda:
Swami Abhishiktananda was first Father Henri Le Saux is a leading
figure of the Hindu-Christian dialogue. His spiritual path essentialy consisted
in the complete appropriation of the advaitic experience of the Upanishadic
rishis, without however losing hold of his own rootedness in the Christian
tradition.
GLOSSARY OF SANSKRIT TERMS
Aa-bhayam-absence of fear
acamana-sipping water from the hand
a-dharma-unrighteousness, irreligion
adhyasa - superimposition
adi-purusa the primordial Man
a-dvaita-non-duality
agneyi-a ceremony of bidding farewell to the ritual fire
agni- fire
agni-hotra-sacrifice to (or by) fire
aham asmi; aham brahma asmi-I am, I am Brahman
ahamkara-the conception of oneself as an individual; self-conceit
a-ja, ajata-unborn a-jnani-one who lacks jnana
a- kama-without desire akasa-space, the most subtle of the five elements
a-krita-not made, uncreated a-linga-without sign
a-mrita-immortal a-nama -without name
ananda-bliss
a- niketana-without dwelling-place
aranya-the forest a-rupa-without form asana-seat, posture (yogic)
a-sanga-free from ties, attachment
a-sat-unreal asrama-(1) abode of ascetics, (2) stage of life
astasraddha-the final eightfold offering to devas, rishis, ancestors,
and lastly to oneself as departed (Na.Pa.Up., 4.38)
ati-beyond; e.g., ati-dharma, beyond dharma
atman -the 'self', man's innermost principle; the supreme Self
atyasrama-beyond every stage of life
avadhuta-one who renounces everything, including even the classical
tokens of sannyasa
avidya-ignorance
avyakta-not manifested
Bbhakta; bhakti-devoted
worshipper; heartfelt devotion
bhiksa-alms
bhiksacharya-living on alms
bhuman-fullness
bhutani-the elements; beings
brahmachari-a celibate student; one in the first asrama
brahmaloka-the world or heaven of Brahma
brahman-the supreme principle of all; the Absolute
brahmannistha-established in Brahman
brahmavadi-one who talks about Brahman, a theologian
brahmavidya-the knowledge of Brahman;
brahmavid-one who knows Brahman
buddha-awakened
buddhi-intellect in its highest form
Ccaturtha-the 'fourth'
state of consciousness
Ddanda-a wooden staff,
darsana-sight, vision; entering the presence of God, a saint, an image,
etc.
deva-(plur) the Vedic gods; personfied divine powers at work in the
cosmos and in man; manifestations of the Divine in itself (brahman), but
never to be confused with it
devata-divinity
dharana-concentration of attention
dharma-norm of religious and social life, expressive of the cosmic
order; duty to conform to such norms; a particular religion, as comprising
rites, laws, institutions and doctrines.
dharmatita-beyond all dharma
dhyana-meditation leading to complete inner silence
digambara-'clothed in space', i . e., naked
diksa-ceremony of initiation
dvandva-pair of opposites, like cold/heat, pleasure/pain, etc.
dvija-twice-born; a member of one of the three higher castes in Hindu
society
Eekagrata-one-pointedness
ekam eva advitiyam,-One-only-without-a-second
evamvid, evamvidvan-one who knows 'thus'
Ggayatri-a famous mantra
from the Rig-Veda, whose use is obligatory for Brahmans
grihastha-a householder, married man; one in the second asrama
guha-cave; the secret place of the heart
guna-(lit.) strand; the three gunas (sattva, goodness; rajas, passion;
ramas, darkness) are the three modes or qualities of prakriti (the primary
substance), whose varied combination produces the diversity of beings.
Hhamsa-swan; a symbol of
the atman and of the liberated one, whom nothing can bind and who is free
to go anywhere (cp the kesi)
homa- ritual sacrifice
Jjivanmukta-one who has
found liberation during his lifetime
jivanmukti-the state of a jivanmukta
jnana-wisdom, knowledge
jnani-a sage; one who has awaken to reality, realized the Self
jyoti-light
Kkaivalyam-the state of
absolute aloneness, unicity of the liberated one
kamachara-free to go anywhere, unrestrained ;
kamandalu-a gourd " karana-cause; instrument; agency karma-action;
work; the result of acts done in a previous life
kaupinam-ascetic's loin cloth
kavi-saffron colour, worn by ascetics kesi-'hairy one'; an ascetic,
completely acosmic kirtana-devotional song
kosa-'sheath'; one of a series of 'bodies' held to envelop the atman
krama-sannyasi-one who takes sannyasa as the final stage of life, as
a means to attain moks krita-something done or made
kritakritya-one who has performed all that he had to perform
kutacaka-a type of ascetic
kutira-a hut
Llila-play; the Lord's
play in and through creation
loka-place, world madhu-honey
Mmahaprasthana-the great
departure (for instance, of the Buddha when he left his palace for the
forest) mahatma-one who is a 'great soul'
mahavakya-the great sentences, or mantras, which sum up the teaching
of the Upanishads
manas-the mental faculty manasa-with the mind
mantra-formula of prayer
matha-monastery
mauna-silence
maya-the undefinable condition of the world of manifestation, which
cannot properly be described either as being (sat) or not-being (asat);
hence, the power of illusion which keeps men in samsara
moksa-final liberation from samsara; salvation
mrityu-death
muni-one who keeps silence; an ascetic
murti-image, icon; a particular form of the unique and transcendent
divine mystery
Nnamajapa-repetition of
the divine name
namarupa-'name and form'; this includes the world of phenomena and
all the various signs used by men to express the unique mystery that is
beyond all. To render by 'individuality' is inadequate.
namaskra-saying 'namah,' i.e., salutation, homage
neti (na-iti)-'(saying) No;' i.e., Not that'
nihitam gahayam-hidden in the cave (of the heart)
nirvikalpa samadhi-samadhi with complete suspension of all perception
and thought
Ppara-beyond
paramatman-the Supreme Self
paramahamsa-one of the most extreme forms of sannyasa
paramjyoti-the supreme light
parivrajya-the life of a wandering mendicant
pinda-rice-balls offered to the departed
pitri-departed ancestors
prajapati-the Lord of beings
prajapatya-a sacrifice in which a man's entire property is given away
before taking sannyasa
prajna, prajnana- intelligence
prana-breath, breath of life
pranava-OM
pratistha-support, prop
prasada-portion of an offering given back to the worshipper; grace
pratyahara-withdrawal of attention from objects (phase of yoga)
prayaga-sacred place of the confluence of rivers, as at Allahabad
pretya-departed (from this world)
puja-ritual worship given to a murti (image) accompanied by lustration,
offerings and the recitation of sacred mantras
purnam-fullness
purusa-the archetypal man, one of the expressions of the unique and
indivisible mystery of the atman-brahman
Rrishi -Vedic seer
Ssadguru-the true Guru
sadhana-spiritual exercises
sadhu-good, virtuous; a monk
sakti- force, power, energy; the active power of the Divinity
sahaja-natural manifested throughout the created universe
samadhi-the final ecstasy, or rather 'enstasy', on the spiritual path;
contemplation; hence, death
samastih-totality
sampratti-ceremony of handing over of possessions at death or on taking
sannyasa
samsara-the world, seen as carrying all things along in its ceaseless
flux; passage through successive births and deaths
samskara-'sacramental' rites which mark the successive stages in the
life of the dvija (twice- born) Hindu
sanatana dharma-the traditional name of the religion which springs
from the Vedas, the 'eternal' religion or law. The modern term 'Hinduism'
was coined by foreigners.
sandhya-the 'conjunctions' of day and night at sunset and sunrise,
times which are regarded as specially appropriate for prayer
sannyasa-life of total renunciation; sannyasi- one who has renounced
everything
shanti-peace
sariram-the 'body,' including all physical and mental faculties
sarva(m)-all; the All
sarvaloka-belonging to every place
sastra-Scripture
sat-being; real, true; the Real
satsanga-association with, meeting with, the good
seva - service
skambha-a tree-trunk which symbolizes the axis of the world
soma-the juice of the some plant; nectar sraddhâ-faith, confidence,
humility, positive approach
sraddha-ritual sacrifice, especially to the ancestors
sruti-hearing; what is heard, especially the revealed Scriptures
sukrita-that which is well made or done
sunya-the void
sutra-thread; link; aphorism
susupti-the state of dreamless sleep
svarga-the localised heaven of the devas
svartha-self-interest
Ttapas-austerity (literally,
heat)
taraka-the 'ferryman,' symbol of a spiritual guide
tarana-the 'raft' for crossing to the 'other shore'
tattva-element (e.g., in Samkhya philosophy)
tat tvam asi-'That art thou', one of the mahavakyas
tejas-brightness, glory; tejomaya-composed of glory
turiya-the 'fourth' state of consciousness, beyond susupti
turiyatita-beyond the fourth asrama (stage of life)
Uudgitha-the chant of the
Sama-Veda
upanayana-the samskara in which the dvija receives the sacred cord
upanisad-'sitting at the feet of a guru'; secret lore; correlation
upasana-regarding with respect, reverence
Vvairagya-total indifference
to all worldly objects; renunciation
vamsa-genealogy, lineage
vana-the forest
vanaprastha-dwelling in the forest; the third asrama
vayu-the wind
vedanta-'the end of the Vedas;' the teaching of the Upanishads; one
of the darsanas which systematises that teaching
vidhriti-barrier, boundary
vidvan-one who knows
vidvat-sannyasi-one who takes sannyasa as the expression of the fact
that he has already realized the Self (contrast the krama-sannyasi)
vidya-knowledge
vijnana-understanding, intelligence
visvam-the universe
viveka-discrimination (between what is real and what is unreal)
vividisa, vivitsu-sannyasi-one who takes sannyasa as a means to moksa
vyastih-individuality
Yyajna-ritual sacrifice
(to the devas)
yama-death
yati-one who has restrained the passions; an ascetic
Redactor Nathalie MASIA